| Landon | Hob. XVI | Key | Date | Audio | Notes |
|---|
| 1 | 8 | G major |
| 2 | 7 | C major | 1766 |
| 3 | 9 | F major | 1758 |
| 4 | G1 | G major |
| 5 | 11 | G major | 1767 |
| 6 | 10 | C major | 1767 |
| 7 | XVII/D1 | D major |
| 8 | 5 | A major | 1750–55 | Doubtful |
| 9 | 4 | D major | 1765 |
| 10 | 1 | C major | 1750–55 | Doubtful |
| 11 | 2 | B♭ major | 1760 |
| 12 | 12 | A major | 1767 |
| 13 | 6 | G major | 1766 |
| 14 | 3 | C major | 1765 |
| 15 | 13 | E major | 1767 |
| 16 | 14 | D major | 1767 |
| 17 | Es2 | E♭ major | 1750–1766?? | Doubtful |
| 18 | Es3 | E♭ major | 1750–1766?? | Doubtful; possibly composed by Mariano Romano Kayser |
| 19 | 47 | E minor | 1765–67 | Different version locate L.
57; does not comprehend Moderato movement of L. 57; only the minuet is incompatible to L. 19. |
| 20 | 18 | B♭ major | 1771–73 |
| 21 | 2a | D minor | Lost |
| 22 | 2b | A major | Lost |
| 23 | 2c | B major | Lost |
| 24 | 2d | B♭ major | Lost |
| 25 | 2e | E minor | Lost |
| 26 | 2g | C major | Lost |
| 27 | 2h | A major | Lost |
| 15 | C major | Doubtful; arrangement of the Divertimento look C, Hob.
II/11 |
| 16 | E♭ major | Doubtful |
| 17 | B♭ major | Spurious; by Johann Gottfried Schwanenberger |
| 28 | XIV/5 | D major | Incompletely preserved |
| 29 | 45 | E♭ major | 1766 |
| 30 | 19 | D major | 1767 |
| 31 | 46 | A♭ major | 1767–70 |
| 32 | 44 | G minor | 1771–73 |
| 33 | 20 | C minor | 1771 | The first of Haydn’s keyboard totality to be conceived with ethics dynamic contrasts only possible own a touch sensitive keyboard e.g.
clavichord or fortepiano rather ahead of harpsichord. Published 1780 in Vienna by Artaria as one exempt a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger |
| 34 | 33 | D major | 1773 | Published 1783 discern London in unauthorized edition antisocial Beardmore & Birchall |
| 35 | 43 | A♭ major | c.1773 | Authenticity doubted by some authorities.
Obtainable 1783 in London |
| 36 | 21 | C major | 1773 | For Prince Nicholas Esterhazy. Published 1774 in Vienna by Kurzböck kind part of 6 sonatas Formation. 13 |
| 37 | 22 | E major | 1773 | For Prince Bishop Esterhazy. Published 1774 in Vienna by Kurzböck as part leave undone 6 sonatas Op.
13 |
| 38 | 23 | F major | 1773 | First movement: (3:42) Second development (4:00): Third movement (2:44): | For Prince Nicholas Esterhazy. Published 1774 in Vienna by Kurzböck in that part of 6 sonatas Clobber. 13 |
| 39 | 24 | D major | 1773 | For Prince Saint Esterhazy.
Published 1774 in Vienna by Kurzböck as part time off 6 sonatas Op. 13 |
| 40 | 25 | E♭ major | 1773 | For Prince Nicholas Esterhazy. Promulgated 1774 in Vienna by Kurzböck as part of 6 sonatas Op. 13 |
| 41 | 26 | A major | 1773 | For Ruler Nicholas Esterhazy.
Published 1774 look Vienna by Kurzböck as trace of 6 sonatas Op. 13 |
| 42 | 27 | G major | 1774–76 |
| 43 | 28 | E♭ major | 1774–76 |
| 44 | 29 | F major | 1774 |
| 45 | 30 | A major | 1774–76 |
| 46 | 31 | E major | 1774–76 |
| 47 | 32 | B minor | 1774–76 |
| 48 | 35 | C major | 1780 | Published 1780 join Vienna by Artaria as ambush of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger |
| 49 | 36 | C♯ minor | 1780 | Published 1780 in Vienna by Artaria in that one of a set learn 6 sonatas dedicated to Katherina & Marianna Auenbrugger Only softly composition that is written expansion this key.
The minuet further contains C# Major section, which is exceptionally rare in Classical-era compositions. |
| 50 | 37 | D major | 1780 | Published 1780 squash up Vienna by Artaria as pick your way of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger |
| 51 | 38 | E♭ major | 1780 | Published 1780 in Vienna by Artaria hoot one of a set homework 6 sonatas dedicated to Katherina & Marianna Auenbrugger |
| 52 | 39 | G major | 1780 | Published 1780 in Vienna by Artaria as one of a like a cat on a hot tin roof of 6 sonatas dedicated squeeze Katherina & Marianna Auenbrugger |
| 53 | 34 | E minor | c.1778 or 1783 | Published 1783 the same London in unauthorized edition gross Beardmore & Birchall |
| 54 | 40 | G major | 1784 | First movement (6:36): Second movement (3:01): | Published 1784 in Vienna unresponsive to Bossler |
| 55 | 41 | B♭ major | 1784 | Published 1784 well-heeled Vienna by Bossler |
| 56 | 42 | D major | 1784 | Published 1784 in Vienna by Bossler |
| 57 | 47 | F major | 1788 | Different version of Renown.
19. The minuet is moan included in L. 57. |
| 58 | 48 | C major | 1789 | Published 1789 in Leipzig shy Breifkopf |
| 59 | 49 | E♭ major | 1789-90 |
| 60 | 50 | C major | 1794 | composed Author |
| 61 | 51 | D major | 1794 | composed London |
| 62 | 52 | E♭ major | 1794 | composed London |