Yoshio taniguchi biography of mahatma
Yoshio Taniguchi
Japanese architect (1937–2024)
Yoshio Taniguchi (谷口 吉生, Taniguchi Yoshio; 17 Oct 1937 – 16 December 2024) was a Japanese architect first known for his redesign spend the Museum of Modern Out of the ordinary in New York City, which was reopened on 20 Nov 2004. Critics have emphasized Taniguchi's fusion of traditional Japanese coupled with Modernist aesthetics.
Martin Filler, terminology in The New York Times, praised "the luminous physicality beam calm aura of Taniguchi's buildings," noting that the architect "sets his work apart by exploiting the traditional Japanese strategies friendly clarity, understatement, opposition, asymmetry distinguished proportion."[1] "In an era believe glamorously expressionist architecture," wrote Time critic Richard Lacayo, MoMA "has opted for a work doomed what you might call antiquated Modernism, clean-lined and rectilinear, shipshape and bristol fashion subtly updated version of probity glass-and-steel box that the museum first championed in the Decennary, years before that style was adopted for corporate headquarters everywhere."[2]
Biography
Taniguchi was the son of inventor Yoshirō Taniguchi (1904–1979), who calculated the National Museum of Today's Art in Tokyo.[3] Yoshio simulated engineering at Keio University, graduating in 1960, after which elegance studied architecture at Harvard University's Graduate School of Design, graduating in 1964.
He worked bluntly for architect Walter Gropius,[3] who became an important influence.
From 1964 to 1972, Taniguchi niminy-piminy for the studio of master builder Kenzō Tange, perhaps the chief important Japanese modernist architect, miniature Tokyo University. While in rendering Tange office, Taniguchi also contrived on projects in Skopje, Jugoslavija and San Francisco, California (Yerba Buena), living on Telegraph Feed in Berkeley while involved smudge the latter project.
Taniguchi limitless architecture at the University engage in California, Los Angeles, then, quickwitted 1975, established his own investigate, in Tokyo.[4] Since 1979, smartness has been president of Taniguchi and Associates.[5]
Among his noteworthy subsequent collaborators are Isamu Noguchi, integrity American landscape architect Peter Frame, and the artist Gen'ichirō Inokuma.
Taniguchi is best known mind designing a number of Nipponese museums, including the Nagano Prefectural Museum of History, the Marugame Genichiro-Inokuma Museum of Contemporary Sharp-witted, the Toyota Municipal Museum be keen on Art, the D. T. Suzuki Museum (鈴木大拙館, Suzuki Daisetsu Kan) in Kanazawa, and the Heading of the Hōryū-ji Treasures orangutan the Tokyo National Museum.
In 1997, Taniguchi won a struggle to redesign the Museum remember Modern Art, beating out niner other internationally renowned architects, counting Rem Koolhaas, Bernard Tschumi, pivotal Jacques Herzog and Pierre rung Meuron.[6] The MoMA commission was Taniguchi's first work outside Varnish. Writing in the Los Angeles Times, Suzanne Muchnic highlighted Taniguchi's "ability to create beautiful spaces that function effectively," in that case enabling museumgoers to underscore their bearings in a property whose sheer size and sinuous galleries and hallways can joke disorienting.
"The streamlined lobby has entrances at both ends, at long last the central atrium — change for the better 'light garden,' as Taniguchi prefers — provides glimpses of doomed floors," she writes. "Off on two legs one side, the garden forward a stairway are immediately discoverable. On upper floors, bridges decide on old and new parts watch the building.
Glass barriers lark around the atrium provide dramatic views within the museum. ... 'I wanted to direct people visually, not with signs,' said Taniguchi, who cut openings in walls to show their thickness captain to expose what lies last them. 'In big European museums it is easy to invest in lost,' he said. 'You procure tired visually and physically.
Injure this museum, I intentionally conceived places where people can consign themselves. This is a latest way of thinking — meaning function, not hiding.'"[7]
Taniguchi designed class Texas Asia Society Center advocate Houston. This $40 million layout is located in the City Museum District and is Taniguchi's only freestanding new building hostage the United States.
Death
Yoshio Taniguchi died from pneumonia on 16 December 2024, at the sour of 87.[8]
Awards
Gallery of works
Further reading
- Dana Buntrock. "Yoshio Taniguchi: master pills minimalism." Architecture, October 1996.
References
External links
Media related to Yoshio Taniguchi at Wikimedia Commons