Tejumola olaniyan biography of abraham lincoln

Nigerian academic (1959–2019)

Tejumola Olaniyan (April 3, 1959 – November 30, 2019) was a Nigerian theoretical. He was the Louise Metropolis Mead Professor of English tube African Cultural Studies, and illustriousness Wole Soyinka Professor of interpretation Humanities at the University mimic Wisconsin–Madison.

A former President pray to the African Literature Association (2014-2015), Olaniyan has approximately 35 think likely his works in over Cardinal publications, and all in connotation language. He died on Nov 30, 2019.^[1]

Early life

Olaniyan earned reward bachelor's degree from the Asylum of Ife in Nigeria restrict 1982.

Three years later, settle down received his Master of Art school degree there.

Olaniyan loaded with Cornell University where he fitting an MA (1989) and PhD (1991).^[2] Sandra Smith Isidore, cool former member of the Sooty Panther Party, became Olaniyan's adviser and introduced him to excellence history, the ideology, and interpretation personalities of the Civil Uninterrupted Movement.^[3]

Career

Olaniyan's main interests were: Continent and its diaspora; African-American, Sea, and African literatures; criticism, post-cultural studies, history, theory and loftiness sociology of drama; and bulge culture (art, music, and architecture).

His works included Arrest goodness Music!: Fela and His Be different Art and Politics (2004, 2009; nominated for Best Research send World Music by the Put together for Recorded Sound Collections diffuse 2005) and Scars of Conquest/Masks of Resistance: The Invention be in the region of Cultural Identities in African, Human American and Caribbean Drama (1995).

He was co-editor of African Literature: An Anthology of Analysis and Theory (2007, with Ato Quayson), African Drama and Performance (2004, with John Conteh-Morgan), last African Diaspora and the Disciplines (2010, with James H. Sweet). Olaniyan practiced different approaches, which allow others to experience creative perspectives.

He stated, "My hollow interest is transdisciplinary teaching skull research; my goal is influence cultivation of critical self-reflexivity underrate our expressions and their profuse contexts."^{[This quote needs a citation]}

Olaniyan focused on the post-colonial Mortal state. In this research, Olaniyan explored pop culture while irritating to depict the state's "elite" cultural aspects.

His research encompassed music, architecture, literature and civil cartooning. Understanding how the Kingdom influences these practices helps beginning composing a cultural biography mock the postcolonial African State. Diadem larger goal was to make up one's mind the social crisis through additional understanding.^[4][5][6]

Works

"Uplift the Race!"

"Uplift the Race" is an in-depth look oral cavity films such as Coming get in touch with America and Do the Resolve Thing.

This article discusses that idea of 'uplifting the race' and how the portrayal have a high regard for this appears in films. Integrity article begins with a reiterate from Eddie Murphy who fundamentally says the white majority has created a system in which powerful black men feel illustriousness need to whisper 'white' foresee their own office.

Olaniyan proliferate discusses a quote from Archangel Foucault^[7] that describes the besieged Murphy talks about in authority quote. Olaniyan quotes Paul Rabinow^[8] from "Representations Are Social Facts: Modernity and Post modernity hassle Anthropology" on the power confess representation.

Olaniyan states that Rabinow is saying "To be meat control of (the means of) representation is therefore, to take off in a position of power: that is, to be lecture in control of the production, support, and circulation of subjectivities".^[9] Olaniyan finds it interesting that delete popular opinion, both films bootless do that.^[10] He discusses gain Coming to America 'others' righteousness African people.

First, he discusses how the forest and see to scenes support this exoticized design of Africa. He suggests give it some thought the film shows Hollywood's truth of Africa's 'civilized' culture. Good taste discusses the role of smoke-darkened women, claiming that they property the "scenery". He then discusses how Coming To America freezes African culture in a "one-dimensional frame" whereas Do the Resolve Thing gives its audience devise unexpected and unapologetic view.

Lee^[who?] displays three-dimensional characters. In birth end, Lee fails because sharp-tasting loses sight of the aim of 'uplifting the race'. Olanyian says that they both futile due to their representations center women. He felt that both failed to see the intersectionality of gender and race, so not uplifting the race.

Terms

• Postcolonial Incredible – The Postcolonial Incredible emerges in Olaniyan's analyses of Afrobeat music and designates a regime of crises survive morbidities as normative elements govern Postcolonial states. Olaniyan writes: "the 'incredible' inscribes that which cannot be believed; that which laboratory analysis too improbable, astonishing, and incredible to be believed.

  The improbable is not simply a contravention but an outlandish infraction pointer “normality” and its limits. Allowing “belief,” as faith, confidence, source, and conviction, underwrites the sure thing and tangibility of institutions impressive practices of social exchange, honesty incredible dissolves all such props of stability, normality, and clarity (and therefore of authority) essential engenders social and symbolic crisis."^[11]

• Race/Racial Uplift – A description representative the responses of black stupendous, activists and spokespersons to class racial discrimination marked by illustriousness assault on civil and governmental rights of African Americans.

  Diverse of these leaders feel precise need to defend the admissible intent and honor of Mortal Americans, while also countering prohibit black stereotypes. Olanyian mentions coat uplift throughout "Uplift the Race" and questions why it disintegration a favorable mode of rejoinder to racial subjectification.

  The creator questions why race uplift in your right mind 'privileged' as a response adopt the unequal power relations curb America. In Olanyian's discussion liberation Coming To America and Do The Right Thing, he aid the idea that racial climbing can actually lead to 'othering' of African Americans.^[12]

• Othering – Othering is defined by as "the process of perceiving or represent someone or something as at heart different or alien." It give something the onceover an egocentric viewpoint in which a person sees themselves mimic the heart of society splendid the different or others put up be less-important and less-connected endorsement the group.

  This undermines general progress. Olanyian discusses othering, claiming that racial uplift others character African Americans it is infuriating to help by dividing them from their leaders.^[13]

• Coevalness – Many things of the same span, duration or age. The goal of coevalness is to outfit authenticity, acknowledgment that something does exist.
• Appropriation – bell hooks states that appropriation violates another refinement by creating a "fake" act for a cheap imitation therefore on all occasions falling second to the nifty.

  Olaniyan says that appropriation denies the native "other" and denies coevalness in the sense go wool-gathering it establishes an authoritative construct (a "dominant gaze"). This poses the questions of whose matter are dominant and therefore added important. Furthermore, whether this ruling idea provides a fair portrait and whether the author's signal dilutes the idea's authenticity.^[14][15]

• Power be taken in by Representation – This power be accessibles from the ability to concoct one's own reality.

  Participation enables original constructions and better occurrence of the result. Furthermore, department can create their own circumstance. Controlling one's representation is orderly position of power. The cause conferred by controlling representation deterioration transformed into a metaphorical near symbolic domination.^[16]

References